Emily and Henry are an older couple moving through life, replete with memories, activities and the occasional visits from Henry's son John and his family. And then after a brief illness there is only Emily. Henry’s death leaves Emily facing what her marriage to him had meant, for hovering over it had been the image of Megan, his ‘dying too young’ first wife. Emily gives John the box of Megan’s things that Henry has kept all these years in a drawer, not trying to know more about its contents herself, despite the fact that in his delirium at the end, Megan’s name had been repeated again and again. It is Jan, Henry’s teenage granddaughter, who finally reads Megan’s notebook as she ponders love and relationships and her own awakening feelings. And then after a flare up at home, Jan comes to stay with Emily and in the ensuing relationship, both women come to a clearer understanding of who they are.
Born in New York state, Leah Miller spent many years living in California, obtaining a BA in English from The University of California. With her partner, Pieter Van Deusen, she wrote and produced educational films (doing sound and artwork on them too) and after moving to England with Pieter in 1983, helped with the making of his feature film, 'Netherby Naps.' She has always loved to write; producing short stories and longer works, her writing reflects life in both America and Europe.
Henrietta Ryecroft Published July 26, 2013
The White Ship — stories — Published July 26, 2013
Kaleidoscope Friends Published March 25, 2013
Epilogue Published July 23, 2012
Years into Darkness Published March 30, 2012
In the Silence of Carousels Published March 30, 2012
Last Sighting Published January 17, 2012
a Singularity of Blueberries Published January 17, 2012