Loretta Howard Gallery is pleased to announce the gallery’s first exhibition with artist David Row. The works on view highlight the artist’s recent series of shaped canvasses and related works on paper.
Row paints in heavily worked layers of lush oil paint, gradually forming a dense network of marks and lines. Broad swaths of color highlight and disguise underlying grounds, themselves crisscrossed by the artist’s familiar elliptical bands. In his essay Return to Orbit Raphael Rubinstein explains:
The appearance of the painting is the result of how it has been made; the irregularities of surface and shape occur and are left as they occur. Row accepts but does not make too much of them because he is focused on something more important, on the totality of the painting.
In the artist’s most recent work, the drama of his geometric compositions plays out across a new format. Irregular polygonal shaped canvasses assert themselves as jewel like objects, defining the conversation unfolding within their borders. Meanwhile, Row’s curvilinear forms and signature diptychs continue to behave according to their own secret logic, carving architectural paths through space.
Epic Abstraction | Friedel Dzubas in the 1970s Published October 20, 2015
Epic Abstraction: Friedel Dzubas in the 1970s Published October 06, 2015
Where Sculpture & Dance Meet: Minimalism 1961 - 1979 Published September 26, 2015
Washington Color Painters Reconsidered Published June 17, 2015
Cleve Gray: Auguries Published May 16, 2015
Richard Anuszkiewicz: The Temple Paintings Published May 16, 2015
Judy Pfaff: Run Amok/ Second Nature Published November 05, 2014
Irving Sandler: Out of 10th Street Into the 60s Published August 19, 2014