between a [lava] rock and a hard[er] place
by Meghan Paxton Sellars
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About the Book
From the introduction:
"... As I photographed this series, I began in isolation. In December and January, I went to the locations I wanted to shoot when I knew the space would be empty. I didn’t want anyone to bother me. Quietly, I would extend the legs of my tripod, unfold my wooden field camera, and attach the lens. Under the shelter of a dark hooded jacket, I peered at the image projected upside-down onto the ground glass. Taking my time, I deliberated over composition and wondered if my perspective of the scene was that of an outsider or an insider..."
"... As I photographed this series, I began in isolation. In December and January, I went to the locations I wanted to shoot when I knew the space would be empty. I didn’t want anyone to bother me. Quietly, I would extend the legs of my tripod, unfold my wooden field camera, and attach the lens. Under the shelter of a dark hooded jacket, I peered at the image projected upside-down onto the ground glass. Taking my time, I deliberated over composition and wondered if my perspective of the scene was that of an outsider or an insider..."
Features & Details
- Primary Category: Fine Art Photography
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Project Option: Large Format Landscape, 13×11 in, 33×28 cm
# of Pages: 88 - Publish Date: May 26, 2009
- Keywords personal narrative, growing-up, photography, Oregon, small-town, home, nature, memory
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