About the Book
This selection of photographs was taken over the course of two months, in the Spring of 2022, on weekly photowalks on and around State Street in Madison, WI.
Flavia Fontana Giusti goes to State Street every weekend to connect to interesting humans - faces, bodies, outfits, demeanours - and to make their portrait.
State Street runs between the University of Wisconsin campus and the Wisconsin State Capitol. There, there are liquor stores, beauty-parlors, rag shops, museums, bookstores, run down boutiques, construction work, and, also, sadly, a lot of empty retail space: it is a reflection of the city it sits at the center of, in just a few blocks, from the fancy to those in rags.
If you look carefully, there’s swagger everywhere.
These photographs were taken on Kodak Gold200 with a Pentax 67 camera.
Flavia develops and scans all her images herself.
Flavia Fontana Giusti goes to State Street every weekend to connect to interesting humans - faces, bodies, outfits, demeanours - and to make their portrait.
State Street runs between the University of Wisconsin campus and the Wisconsin State Capitol. There, there are liquor stores, beauty-parlors, rag shops, museums, bookstores, run down boutiques, construction work, and, also, sadly, a lot of empty retail space: it is a reflection of the city it sits at the center of, in just a few blocks, from the fancy to those in rags.
If you look carefully, there’s swagger everywhere.
These photographs were taken on Kodak Gold200 with a Pentax 67 camera.
Flavia develops and scans all her images herself.
Author website
Features & Details
- Primary Category: Street Photography
- Additional Categories Fine Art Photography, Arts & Photography Books
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Project Option: US Letter, 8.5×11 in, 22×28 cm
# of Pages: 28 - Publish Date: Jun 17, 2022
- Language English
- Keywords street photography, street portraits, portraits
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About the Creator
Flavia Fontana Giusti
Madison, WI, USA
I’m a portraitist who hits the street. My tool of choice is the camera, always analog, sometimes it has more than one lens, or a bulky viewfinder, or a massive light meter, and that makes people curious. I chose to use film because it forces my intention, because I thrive in limitations, and because the grain of traditional film has an organic quality that makes my heart sing. Also the entire process, from loading the canister, all the way to developing and scanning the images, and sometimes to making a darkroom print, is very manual and deeply meditative for me.