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      View France is not Italy! by Sam DobrowPreview
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      France is not Italy!

      unabridged

      by Sam Dobrow

      This is the price your customers see. Edit list price

      Hardcover, ImageWrap
      Cover design is printed on the hardcover
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      About the Book

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      “France is not Italy!” is a photographic book about the cultural landscape of the French and Italian Riviera. While in France, I heard this phrase as an explanation for why things were the way they were in France. At the time it seemed trivial, however, after visiting both the French and Italian Riviera the phrase began to take on a unique meaning. These two countries share a small part of the world, however the geography that kept them separate for centuries crafted very different cultures and political states. This book explores and captures, through photographs, the culture of the people in this region and the historic landscape they share.
      Features & Details

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      • Primary Category: Fine Art Photography
      • Project Option: Large Format Landscape, 13×11 in, 33×28 cm
        # of Pages: 186
      • Publish Date: Dec 12, 2007
      • Keywords cultural landscape, santa margherita, monte carlo, street photography, cote d azure, portofino, france, italy, riviera, liguria, people, landscape, church, cathederal, duomo, basilica, cannes, antibes, genoa, rapallo, milan, monaco, pisa, travel, market, food, samdobrow, dobrow
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      About the Creator
      samdobrow
      Sam Dobrow
      Coconut Grove (Miami), FL 33133

      Sam Dobrow is a contemporary photographic artist who lives and works in the artist village of Coconut Grove, Florida. In the digital darkroom, Sam continues to test the boundaries of photography. All of his artwork begins in the camera and evolves into images with intensely beautiful constructs amplified by his emotions and perceptions of the world and its inhabitants. Whether it is a street scene, portrait or figurative works, Sam captures beauty by presenting subjects shaped by light, framed by strong graphical elements, and emotionally supercharged by the thoughtful choice of color. According to Sam, the art of photography begins with a feeling, followed by seeing through the camera with anticipation, and ultimately developing an image that speaks to that feeling.

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