About the Book
Photographed by Schmidt in real time whilst watching Alfred Hitchcock’s 1960s masterpiece Psycho on his computer, the book contains 2439 sequential colour photographs organised in an identical grid of sixteen images per page but for the final page showing seven. By setting his camera to single picture mode (1–2 photographs per second), Schmidt deliberately exploited the technical limitations of the camera in order to create a parameter of randomness and predictability. Operating precisely at the tangent of photography and moving image, a definite documentation of every frame of the movie intentionally failed, leaving invisible gaps. The dichotomy of still images versus film is being analysed further by sporadic blurred film stills and single frame collages of the film’s dissolves, an intentional result of Schmidt’s carefully chosen exposure settings (1/15; f 3.5).
"153 Page Psycho" is the product and proof of a singular and unwitnessed (photographic) performance, simultaneously anticipating and annulling any future versions.
https://en.wikipedia.org/wiki/Andreas_Schmidt_(artist) "knowingly at the opposite end of attractive publishing" Elisabeth Tonnard / artist "a prolific self-publisher exploring the very nature of books and magazines" Christopher Clary / artist "It's such a bold yet brilliant idea" Mishka Henner / artist "What a laugh!" Martin Parr / photographer / curator / supreme book collector "I'm appalled that you did this" Judy Natal / photographer "One more time you do a very clever job" Rémi Coignet / Le Monde "Andreas Schmidt brilliantly debunks the notion that expensive equals quality" Jonathan Lewis / artist "Andreas Schmidt takes the concept of the book and shakes it like a rag doll...until its head comes off. He finds truth in extremes." Jean Keller / artist "Schmidt is a master of the unexpected twist" Hatje Cantz Publishers "a superb collaborative photobook work" Harvey Benge / photographer "I'll track down your books" Alec Soth / photographer "a pleasingly disruptive photobo