by Lorenzo Vitali
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About the Book
Cuba and her people are now near facing a post-Castro reality. They all know the situation is pending and hope for better times. However that may be, the State is always affecting and controlling their everyday life strongly and deeply.
The book is divided into three series, all of them having “people” as their main subjects.
In the first one, Hasta la victoria siempre!, I focused - with a certain tinge of irony - on the living and working conditions of people, sometimes suffering a decorous poverty, or even degradation. The present government being mostly responsible, there is little doubt about it, of their state.
In the second part, entitled En el camino de Cuba, “roads and vehicles” seem to be the subjects, but Cubans are actually the protagonists of my shots: once again men and women moving around by all means of transport, often basic and inadequate, in a condition of never-ending insecurity.
In the last one, Un paseo por Cuba, the people of Cuba show themselves to be cheerful and sunny, ready to smile despite everything.
Features & Details
- Category Fine Art Photography
Large Square, 12×12 in, 30×30 cm
- Publish Date Feb 26, 2011
- Tags back and white, fine art photography, fidel castro, che guevara, reportage, Cuba, photos, vitali, vittali, lorenzo, people, hasta, victoria, siempre, camino, paseo, emotion, focus, road, vehicle, governement, degradation
Lorenzo Vitali - Born in Milano in 1953, where he lives and works.He has photographs printed in many magazines, in Italy and abroad, and is in the editorial staff of “Magazine”, a periodical magazine. He has published several books, and has presented some of his works in solo-exhibitions. After a travels to Cuba he creates a body of work, published as Cuba 2011. The same year in December, he presents this work in an on-line exhibition. He publishes Genova luce viva and Passions, two volumes of original photographs. Photographs from this latter work are presented in his first solo-exhibition in Genoa, Palazzo Ducale. He is asked by the poet and writer B.Cicchetti to illustrate his piece, “La Signora del Tango”, published in 2011. Afterwards, he is invited to work for and to photograph the setting of this opera-tango, performed in summer during Lunaria Festival 2011. In 2012 he publishes Holzwege, a sort oforiginal back-ward journey, from photography to poetry, from the image to the word