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    View Global/Local 1960–2015 by Grey Art Gallery, NYUPreview
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    Global/Local 1960–2015

    Six Artists from Iran

    by Grey Art Gallery, NYU

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    Softcover
    Full-color paperback on cover stock without flaps
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    About the Book

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    Organized by New York University's Grey Art Gallery, the exhibition "Global/Local 1960–2015: Six Artists from Iran" features works by three generations of Iranian artists born between 1937 and 1982. The publication presents sample works by each of the six artists—Faramarz Pilaram (1937–1983), Parviz Tanavoli (b. 1937), Chohreh Feyzdjou (1955–1996), Shiva Ahmadi (b. 1975), Shahpour Pouyan (b. 1980), and Barbad Golshiri (b. 1982). "Global/Local" illuminates how these artists have participated in international discourses, merging global with local over a 55-year span that was punctuated by the 1979 Iranian Revolution and subsequent eight-year war with Iraq. The catalogue includes a foreword and essay by Lynn Gumpert; an essay by New York-based critic and art historian Media Farzin, who examines the ways in which Iranian contemporary art has, from its beginnings in the 1960s, borrowed extensively from ancient visual traditions of the region; and introductory essays on each artist by NYU graduate students.
    Author website
    http://www.nyu.edu/greyart
    Features & Details

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    • Primary Category: Fine Art
    • Project Option: Standard Portrait, 8×10 in, 20×25 cm
      # of Pages: 118
    • Publish Date: Dec 15, 2015
    • Language English
    • Keywords Iranian Art, Modern Art, Contemporary Art, Iran, Grey Art Gallery
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    About the Creator
    greyart_nyu
    Grey Art Gallery, NYU
    100 Washington Square East, New York, NY 10003

    The Grey Art Gallery is New York University’s fine arts museum, located on historic Washington Square Park in New York City’s Greenwich Village. It offers the NYU community and the general public a dynamic roster of engaging and thought-provoking exhibitions, all of them enriched by public programs. With its emphasis on experimentation and interpretation, and its focus on exploring art in its historical, cultural, and social contexts, the Grey serves as a museum-laboratory for the exploration of art’s environments. Exhibitions organized by the Grey have encompassed all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, film, video, and performance. In addition to producing its own exhibitions, which often travel to other venues in the United States and abroad, the gallery hosts traveling shows that might otherwise not be seen in New York and produces scholarly publications that are distributed worldwide.

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