About the Book
A memorial to human/landscape interaction, utilising notions of impermanence, disintegration and archive to challenge assumptions of cultural and material value, inspired by time spent at an historic gold mining town. The work explores fleeting moments of connection. Visitors who ‘mine’ the work leave their details to participate further. They’re contacted for an image of the souvenired object in its new location. A book is produced, forming a portrait of the small social network created with each installation, as it slowly disintegrates. This is added to a growing archive on a shelf originally consisting of only blank books, the social portrait feeding back into the artwork. These books become archive/ memorial to human interaction of the original artificial landscape. Ultimately all that’s left of the installation will be the archive.
Bridget Kennedy is an Australian contemporary artist currently living and working in Sydney. With a background in painting and contemporary jewellery, more recent projects have explored participatory installations and the viewer as participant to activate the artwork. Other projects incorporating community activation continue an ongoing enquiry into environmental fragility, materiality, impermanence, choice, value and exchange. Bridget’s formative years of early childhood were spent in Fiji and the South Pacific. With cultural ties to the Philippines through her life partner, these influences and exchanges have informed her practice.