I have been fascinated by television imagery since my first viewing of test patterns in the front display window of a small town hardware store.
I eventually transferred that interest to ways of reproducing the effect on paper while a student in Fine Arts. Eventually, I succumbed to investigating the concept through image editing software on a computer.
The original photographs were color negatives or color slides that date back to the 1970s through to the 1990s. They are part of a life project of capturing images as they present themselves. The images were selected as being appropriate to the thought that being seen on TV is validation; of the moment, the place, the experience. The Chair of Final Remorse was exhibited at ‘Siggraph 2003’ in San Diego.